Today on the Bleecker Street Vintage blog I'd like to introduce ceramic artisan Sophie, who creates functional pieces inspired from Japanese & Danish design. I was very excited when I met Sophie at the recent Finders Keepers Market in Melbourne as I have a love for Japanese ceramics, after studying it part-time myself whilst living in Japan.
We had a great discussion (whilst drinking tea from one of Sophie's handmade teapots) about Japan, ceramics, clay types and the importance continual study of any art form. One thing really liked talking about was the slow movement in Japan & how the Japanese pottery town of Mashiko follows that philosophy.
Sophie took some time out from her busy schedule to allow me to visit & answered a few questions for me.
Tell us your story. How did you end up owning your own business making ceramics?
I did ceramics at art school (VCA) 20 years ago and then over the years have done various short courses. When I left art school it's not like I went straight into working as a potter. The reality is there aren't many pottery's out there anymore and I was a little to pragmatic. I got a real job!
Then 8 years ago I set up the beginnings of a pottery studio in the laundry and it's just sort of grown from there. In the last couple of years it's become a full time thing. It's been a very natural evolution. It's something I love doing so I haven't approached it in a particularly hard nosed business way.
How would you describe your style and who has influenced it?
I'm really into simplicity. I'm not a big decorator, pots feel more honest when they're not all dressed up. And I'm obsessed with form, that's really what it's all about for me, making pots that you want to hold and feel. I love it when I'm at a market and someone will make a bee-line for my stall and start picking everything up, that makes my day.
There are loads of other potters that are an influence. My mentor Gary Healey has been a huge influence and inspiration. I love the work of Phil Elson and Prue Venables, they both do absolutely amazing things with clay.
Could you let us know about your design process?
I'll usually spend a few days thinking about a new shape and how I want it to look and be finished and then the rest of the process happens at the wheel. It's more direct to just make it at the wheel and see if it works. Tonight for example I was trying out some new ideas for cups and made about 15 cups and then recycled them all once I figured out what I was trying to do. So the process is very active, there's not a lot of naval gazing.
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Teapots waiting to be fired |
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Sugar bowsl: On my want list! |
From start to finish how long does it take to make a collection?
I'm always making new designs and trying out new ideas so I don't really have a collection or range as such. Usually I'll make maybe 30 of an idea and then move on. But the process probably takes around 2 weeks. It gets thrown, turned, handle attached then it has to dry for a few days, get bisque fired and then glazed and fired again. It's a bit of a drawn out process and the throwing part is only one small aspect.
And finally what are your plans for the future?
To make better pots. And in the next year or two I'd like to have a show of my work.
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